Jazz Page 14

  Golden Gray reins in his horse. This is a thing he does well. The other is play the piano. Dismounting, he leads the horse close enough to look. Animals are somewhere; he can smell them, but the little house looks empty, if not cast-off completely. Certainly the owner never expected a horse and carriage to arrive—the fence gate is wide enough for a stout woman but no more. He unharnesses the horse and walks it a way to the right and discovers, behind the cabin and under a tree he does not know the name of, two open stalls, one of which is full of shapes. Leading the horse he hears behind him a groan from the woman, but doesn’t stop to see whether she is waking or dying or falling off the seat. Close up on the stalls he sees that the shapes are tubs, sacks, lumber, wheels, a broken plow, a butter press and a metal trunk. There is a stake too, and he ties the horse to it. Water, he thinks. Water for the horse. What he thinks is a pump in the distance is an ax handle still lodged in a stump. There was the downpour though, and a good bit of it has collected in a washtub near the chopping stump. So his horse can be watered, but where are the other animals he smells but does not see or hear? Out of the shaft, the horse drinks greedily and the carriage tips dangerously with the unequal distribution of his trunk and the woman. Golden Gray examines the trunk fastenings before going to the rope-locked door of the little house.

  That is what makes me worry about him. How he thinks first of his clothes, and not the woman. How he checks the fastenings, but not her breath. It’s hard to get past that, but then he scrapes the mud from his Baltimore soles before he enters a cabin with a dirt floor and I don’t hate him much anymore.

  Inside, light comes slowly, and, tired after forcing its way through oiled paper tacked around a window set into the back wall, rests on the dirt floor unable to reach higher than Golden Gray’s waist. The grandest thing in the room is the fireplace. Clean, set for a new fire, braced with scoured stones, from which two metal arms for holding kettles extend. As for the rest: a cot, wooden, a rust-colored wool blanket fitted neatly over a thin and bumpy mattress. Not cobs, certainly not feathers or leaves. Rags. Bits of truly unusable fabric shoved into a ticking shroud. It reminds Golden Gray of the pillow True Belle made for King to sleep on at her feet. She had been given the name of a powerful male dog, but she was a cat without personality, which is why True Belle liked her and wanted her close by. Two beds and one chair, as it turns out. The person who lived here sat alone at the table, but had two beds: one in a second room entered by a door stronger and better-made than the one to the house itself. And in that room, the second one, is a box and a woman’s green frock folded on top of its contents. He looks, just as casual as you please. Lifts up the lid and sees the dress and would dig deeper, but the dress reminds him of what should have been in the front of his mind: the woman breathing through her mouth in the other room. Does he think she will wake up and run off, relieving him of his choice, if he leaves her alone? Or that she will be dead, which is the same thing.

  He is avoiding her, I know. Having done the big thing, the hard thing, by going back and lifting the girl up from weeds that clung to his trousers, by not looking to see what he could see of her private parts, the shock of knowing the hair there, once it was dry, was thick enough to part with a fingernail. He tried not to look at the hair on her head either, or at her face, turned away into blades of grass. Already he had seen the deer eyes that fixed on him through the rain, fixed on him as she backed away, fixed on him as her body began to turn for flight. Too bad she didn’t have the sense of a deer and hadn’t looked in the direction she was going soon enough to see the giant maple in time. In time. When he went back for her he did not know if she was still there—she could have gotten up and run away—but he believed, hoped, the deer eyes would be closed. Suddenly he was not sure of himself. They might be open. His gratitude that they were not gave him the strength he needed to lift her.

  After fidgeting with his trunk he steps into the yard. The sunlight bangs his own eyes shut and he holds his hand over them, peeking through his fingers until it is safe. The sigh he makes is deep, a hungry air-take for the strength and perseverance all life, but especially his, requires. Can you see the fields beyond, crackling and drying in the wind? The blade of blackbirds rising out of nowhere, brandishing and then gone? The odor of the invisible animals accentuated in the heat mixing now with out-of-control mint and something fruity needing to be picked. No one is looking at him, but he behaves as though there is. That’s the way. Carry yourself the way you would if you were always under the reviewing gaze of an impressionable but casual acquaintance.

  She is still there. Hardly distinguishable from the shadow of the carriage hood under which she sleeps. Everything about her is violent, or seems so, but that is because she is exposed under that long coat, and there is nothing to prevent Golden Gray from believing that an exposed woman will explode in his arms, or worse, that he will, in hers. She should be stuffed into the ticking along with the bits of rag, stitched shut to hide her visible lumps and moving parts. But she is there and he looks into the shadow to find her face, and her deer eyes, too, if he has to. The deer eyes are closed, and thank God will not open easily, for they are sealed with blood. A lip of skin hangs from her forehead and the blood from it has covered her eyes, her nose and one cheek before it jelled. Darker than the blood though are her lips, thick enough to laugh at and to break his heart.

  I know he is a hypocrite; that he is shaping a story for himself to tell somebody, to tell his father, naturally. How he was driving along, saw and saved this wild black girl: No qualms. I had no qualms. See look, here, how it ruined my coat and soiled beyond repair a shirt you will never see another one of. I have gloves made from the hide of a very young cow, but I did not use them to hoist her, carry her. I touched her with my bare hands. From the weeds to the carriage; from the carriage into this cabin that could belong to anyone. Anyone at all. I laid her on the wooden cot first thing because she was heavier than she looked, and in my haste forgot to lift the blanket first to cover her. I thought of the blood, I think, dirtying the mattress. But who could tell if it was already dirty or not? I didn’t want to lift her again, so I went into the other room and got the dress I found there and draped it best I could over her. She looked more naked then than before I covered her, but there was nothing else I could do.

  He is lying, the hypocrite. He could have opened his big fat trunk; removed one of the two hand-embroidered sheets, or even his dressing gown, and covered the girl. He’s young. So young. He thinks his story is wonderful, and that if spoken right will impress his father with his willingness, his honor. But I know better. He wants to brag about this encounter, like a knight errant bragging about his coolness as he unscrews the spike from the monster’s heart and breathes life back into the fiery nostrils. Except this monster without scales or flaming breath is more dangerous for she is a bloody-faced girl of moving parts, of luminous eyes and lips to break your heart.

  Why doesn’t he wipe her face, I wonder. She is more savage perhaps this way. More graphically rescued. If she should rise up and claw him it would satisfy him even more and confirm True Belle’s warning about the man who saved the rattler, nursed the rattler, fed the rattler only to discover that the last piece of information he would have on earth was the irrevocable nature of the rattler. Aw, but he is young, young and he is hurting, so I forgive him his self-deception and his grand, fake gestures, and when I watch him sipping too quickly the cane liquor he has found, worrying about his coat and not tending to the girl, I don’t hate him at all. He has a pistol in his trunk and a silver cigar case, but he is a boy after all, and he sits at the table in the single chair contemplating changing into fresh clothes, for the ones he is wearing, still wet at the seams and cuffs, are filthy with sweat, blood and soil. Should he retrieve the broken rocker from the front yard? Go check on the horse? He is thinking about that, his next move, when he hears slow, muffled hoof clops. Glancing at the girl to make sure the dress and the blood are intact, he opens the door and peers into t
he yard. Floating toward him parallel to the fence is a black boy astride a mule.

  He would have said, “Morning,” although it wasn’t, but he thought the man lurching down the steps was white and not to be spoken to without leave. Drunk, too, he thought, because his clothes were those of a gent who sleeps in his own yard after a big party rather than in his wife’s bed, and wakes when his dogs come to lick his face. He thought this whiteman, this drunken gent, was looking for Mr. Henry, waiting for him, needing the wild turkeys now, now, goddamn it—or the pelts, or whatever it was Mr. Henry promised, owed or sold.

  “Hello,” said the drunken gent, and if the black boy doubted for a minute whether he was white, the smileless smile that came with the greeting convinced him.

  “Sir.”

  “You live around here?”

  “No, sir.”

  “No? Where from then?”

  “Out Vienna way.”

  “Is that right? Where you on your way to?”

  It was better when they asked questions most times. If they said anything flat out it was something nobody wanted to hear. The boy picked at the burlap of his sack. “See bout the stock. Mr. Henry he say I’m to see bout it.”

  See that? The smile was gone. “Henry?” the man asked. His face was another color now. More blood in it. “You said Henry?”

  “Yes, sir.”

  “Where is he? Is he close?”

  “Don’t know, sir. Gone off.”

  “Where does he live. What house?”

  Oh, thought the boy, he doesn’t know Mr. Henry but he’s looking for him. “This here one.”

  “What?”

  “This here place his.”

  “This? This is his? He lives here?”

  The blood left his face and showed up his eyes better. “Yes, sir. When he home. Ain’t home now.”

  Golden Gray frowned. He thought he would know it right away, without being told and, surprised that he had, he turned around to look at it. “You sure? You sure this is where he lives? Henry Lestroy?”

  “Yes, sir.”

  “When’s he coming back?”

  “Any day now.”

  Golden Gray ran his thumb across his bottom lip. He lifted his eyes from the boy’s face and stared out across the fields still cracking in the wind. “What did you say you come by here for?”

  “See bout his stock.”

  “What stock? There’s nothing here but my horse.”

  “Out back.” He pointed with his eyes and a gesture of his hand. “They roam now and again. Mr. Henry he say I’m to look see they get back if they break out.”

  Golden Gray didn’t hear the pride in the boy’s voice: “Mr. Henry say I’m…” because he was so terrified he laughed.

  This was it, then. The place he meant to come to and any day now the blackest man in the world would be there too. “All right, then. Go on about it then.”

  The boy tsched his mule—for nothing, apparently, because he had to kick his sides with creamy heels before the animal obeyed.

  “Say!” Golden Gray held up his hand. “When you’re done, come back here. I want you to help me with something. Hear?”

  “Yes, sir. I be back.”

  Golden Gray went into the second room to change his clothes—this time he chose something formal, elegant. It was the right time to do it. To select a very fine shirt; to unfold the dark blue trousers that fit just so. The right time and the only time for as long as anyone in Vienna knew him he wore the clothes he put on at that moment. When he took them out and laid them carefully on the cot—the yellow shirt, the trousers with buttons of bone in the fly, the butter-colored waistcoat—the arrangement, lying on the bed, looked like an empty man with one arm folded under. He sat down on the rough mattress near the trouser cuffs, and when dark spots formed on the cloth he saw that he was crying.

  Only now, he thought, now that I know I have a father, do I feel his absence: the place where he should have been and was not. Before, I thought everybody was one-armed, like me. Now I feel the surgery. The crunch of bone when it is sundered, the sliced flesh and the tubes of blood cut through, shocking the bloodrun and disturbing the nerves. They dangle and writhe. Singing pain. Waking me with the sound of itself, thrumming when I sleep so deeply it strangles my dreams away. There is nothing for it but to go away from where he is not to where he used to be and might be still. Let the dangle and the writhe see what it is missing; let the pain sing to the dirt where he stepped in the place where he used to be and might be still. I am not going to be healed, or to find the arm that was removed from me. I am going to freshen the pain, point it, so we both know what it is for.

  And no, I am not angry. I don’t need the arm. But I do need to know what it could have been like to have had it. It’s a phantom I have to behold and be held by, in whatever crevices it lies, under whatever branch. Or maybe it stalks treeless and open places, lit with an oily sun. This part of me that does not know me, has never touched me or lingered at my side. This gone-away hand that never helped me over the stile, or guided me past the dragons, pulled me up from the ditch into which I stumbled. Stroked my hair, fed me food; took the far end of the load to make it easier for me to carry. This arm that never held itself out, extended from my body, to give me balance as I walked thin rails or logs, round and slippery with danger. When I find it, will it wave to me? Gesture, beckon to me to come along? Or will it even know who or what I am? It doesn’t matter. I will locate it so the severed part can remember the snatch, the slice of its disfigurement. Perhaps then the arm will no longer be a phantom, but will take its own shape, grow its own muscle and bone, and its blood will pump from the loud singing that has found the purpose of its serenade. Amen.

  Who will take my part? Soap away the shame? Suds it till it falls away muck at my feet to be stepped out of? Will he? Redeem me like a pawn ticket worth little on the marketplace, but priceless in retrieving real value? What do I care what the color of his skin is, or his contact with my mother? When I see him, or what is left of him, I will tell him all about the missing part of me and listen for his crying shame. I will exchange then; let him have mine and take his as my own and we will both be free, arm-tangled and whole.

  It had rocked him when he heard who and what his father was. Made him loose, lost. He had first fingered then torn some of his mother’s clothes and sat in the grass looking at the things scattered on the lawn as well as in his mind. Little lights moving like worms frolicked before his eyes, and the breath of despair had a nasty smell. It was True Belle who helped him up from the grass, soaped his tangled hair and told him what he had to do.

  “Go on,” she said. “I’ll tell you how to find him, or what’s left of him. It don’t matter if you do find him or not; it’s the going that counts.”

  So he collected what she said he should collect, packed it all and set out. During the journey he worried a lot about what he looked like, what armor he could call on. There was nothing but his trunk and the set of his jaw. But he was ready, ready to meet the black and savage man who bothered him and abused his arm.

  Instead he met, ran into, a wild black girl smashing herself in the head with fright, who lay now in the other room while a black boy was rounding up stock outside. He thought she would be his lance and shield; now he would have to be his own. Look into the deer eyes with the dawning gray of his own. He needs courage for that, but he has it. He has the courage to do what Duchesses of Marlborough do all the time: relinquish being an adored bud clasping its future, and dare to open wide, to let the layers of its petals go flat, show the cluster of stamens dead center for all to see.

  What was I thinking of? How could I have imagined him so poorly? Not noticed the hurt that was not linked to the color of his skin, or the blood that beat beneath it. But to some other thing that longed for authenticity, for a right to be in this place, effortlessly without needing to acquire a false face, a laughless grin, a talking posture. I have been careless and stupid and it infuriates me to discover (again) how
unreliable I am. Even his horse had understood and borne Golden Gray along with just a touch or two of the whip. Steadily it had plodded, through valleys without trails, through streams without bridges or ferries for crossing. Eye gaze just above the road, undistracted by the small life that darted toward its hooves, heaving its great chest forward, pacing to hold on to its strength and gather more. It did not know where it was going and it knew nothing of the way, but it did know the nature of its work. Get there, said its hooves. If we can just get there.

  Now I have to think this through, carefully, even though I may be doomed to another misunderstanding. I have to do it and not break down. Not hating him is not enough; liking, loving him is not useful. I have to alter things. I have to be a shadow who wishes him well, like the smiles of the dead left over from their lives. I want to dream a nice dream for him, and another of him. Lie down next to him, a wrinkle in the sheet, and contemplate his pain and by doing so ease it, diminish it. I want to be the language that wishes him well, speaks his name, wakes him when his eyes need to be open. I want him to stand next to a well dug quite clear from trees so twigs and leaves will not fall into the deep water, and while standing there in shapely light, his fingertips on the rim of stone, his gaze at no one thing, his mind soaked and sodden with sorrow, or dry and brittle with the hopelessness that comes from knowing too little and feeling too much (so brittle, so dry he is in danger of the reverse: feeling nothing and knowing everything). There then, with nothing available but the soaking or the brittleness, not even looking toward the well, not aware of its mossy, unpleasant odor, or the little life that hovers at its rim, but to stand there next to it and from down in it, where the light does not reach, a collection of leftover smiles stirs, some brief benevolent love rises from the darkness and there is nothing for him to see or hear, and there is no reason to stay but he does. For the safety at first, then for the company. Then for himself—with a kind of confident, enabling, serene power that flicks like a razor and then hides. But he has felt it now, and it may come again. No doubt a lot of other things will come again: doubt will come, and things may seem unclear from time to time. But once the razor blade has flicked—he will remember it, and if he remembers it he can recall it. That is to say, he has it at his disposal.